ADVENT 314 ADVENT
TABLE, HARMONICE, MUNDI |
TABLE, JOHANNES, KEPLER |
TABLE, HARMONIC, HARMONICS |
TABLE, JOHANNES KEPLER, ALBERT EINSTEIN |
TABLE, RA, STAR, PULSE |
TABLE, ZERO, FIELD |
TABLE, VIRTUAL, PARTICLE |
TABLE, RESPONSIBILITY, R, ESPONS, I, B, I, L, I, TY |
TABLE, RE, RESPONSIBLE, RESPONSIBILITIES, RESPONSIBILITY, |
TABLE, RESPONDS RESPOND |
TABLE, RESPONSIBILITY |
TABLE, HOLY BIBLE HOLY KORAN, KORAN BIBLE |
26 |
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R |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
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4+3 |
= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
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1+1+5 |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
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8+3 |
= |
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1+1 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
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2+3+6 |
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1+1 |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
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3+5+1 |
= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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26 |
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R |
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1 |
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1 |
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1 |
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+ |
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occurs |
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3 |
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2 |
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2 |
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2 |
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occurs |
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occurs |
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occurs |
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1+2 |
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occurs |
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1+5 |
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6 |
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occurs |
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1+8 |
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7 |
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8 |
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occurs |
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26 |
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4+5 |
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5+4 |
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- |
THE RAINBOW LIGHT |
- |
- |
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THE |
33 |
15 |
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RAINBOW |
82 |
37 |
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LIGHT |
56 |
29 |
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15 |
THE RAINBOW LIGHT |
171 |
81 |
9 |
1+5 |
- |
1+7+1 |
8+1 |
- |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
SURE I DREAM AS THE HAMMER STRIKES THE ANVIL AND THE SPARKS FALL ON THE FLOOR
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- |
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9 |
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9 |
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1+8 |
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D |
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2+4 |
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D |
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4 |
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9 |
6 |
9 |
5 |
4 |
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4+2 |
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D |
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- |
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occurs |
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8 |
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occurs |
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10 |
1+0 |
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occurs |
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6 |
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occurs |
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18 |
1+8 |
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24 |
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2+4 |
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4+2 |
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2+4 |
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SRI KRISHNAS REMEMBERING
BHAGAVAD GITA
"MANY LIVES ARUNJA YOU AND I HAVE LIVED I REMEMBER THEM ALL BUT THOU DOST NOT"
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
89 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
4 |
7 |
KRISHNA |
80 |
35 |
3 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
GODS SPIRIT GODS
ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST
SING A SONG OF NINES OF NINES A SONG SING
en.wikipedia.org/wiki/Pupa
Like other types of pupae the chrysalis stage in most butterflies is one in ...
Butterflies larvae do not spin a cocoon; their pupae is called a chrysalis...
of their Cockchafer (Melolontha melolontha) pupa
Chrysalis redirects here: for other meanings see Chrysalis (disambiguation).
A pupa (Latin pupa for doll, pl: pupae or pupas) is the life stage of some insects undergoing transformation. The pupal stage is found only in holometabolous insects, those that undergo a complete metamorphosis, going through four life stages; embryo, larva, pupa and imago. (For a list of such insects see Holometabolism).
The pupae of different groups of insects have different names such as chrysalis in the Lepidoptera and tumbler in mosquitoes. Pupae may further be enclosed in other structures such as cocoons, nests or shells.[1]
Position in life cycle
In the life cycle of an insect the pupal stage follows the larval stage and precedes adulthood (imago). It is during the time of pupation, that the adult structures of the insect are formed whilst the larval structures are broken down. Pupae are inactive, and usually sessile. They have a hard protective coating and often use camouflage to evade potential predators.
Duration
Pupation may be brief, for example 2 weeks as in monarch butterflies, or the pupa may enter dormancy or diapause until the appropriate season for the adult insect returns (in temperate climates pupae usually stay dormant during winter, in the tropics pupae usually do so during the dry season).
Emergence
Insects emerge (eclose) from the pupa by splitting the pupal case, and the whole process of pupation is controlled by the insect's hormones. Most butterflies emerge in the morning. In mosquitoes the emergence is in the evening or night. In fleas the process is triggered by vibrations that indicate the possible presence of a potential host.
A chrysalis (Latin chrysallis, from Greek ???sa???? = chrysallís, pl: chrysalids) or nympha is the pupal stage of butterflies. The term is derived from the metallic gold-colouration found in the pupae of many butterflies referred to by the Greek term ???s?? (chrysós) for gold.
Because chrysalids are often showy and are formed in the open they are the most familiar examples of pupae. Most chrysalids are attached to a surface by a Velcro-like arrangement of a silken pad spun by the caterpillar and a set of hooks (cremaster) at the tip of the pupal abdomen.
Like other types of pupae the chrysalis stage in most butterflies is one in which there is little movement. However, some butterfly pupae are capable of moving the abdominal segments to produce sounds or to scare away potential predators. Within the chrysalis, growth and differentiation occur. The adult butterfly emerges (ecloses) from this and expands its wings by pumping haemolymph into the wing veins,[2]. This sudden and rapid change from pupa to imago is called metamorphosis.
Moth pupae are usually dark in color and either formed in underground cells, loose in the soil, or their pupa is contained in a protective silk case called a cocoon. Butterflies larvae do not spin a cocoon; their pupa is called a chrysalis.
Aurelia is an old synonym of chrysalis from which is derived the term aurelian; one who studies the emergence of butterflies from chrysalids.
Cocoon
The tough brown cocoon of an Emperor Gum Moth
A cocoon is a casing spun of silk by many moth caterpillars and numerous other holometabolous insect larvae as a protective covering for the pupa.
Cocoons may be tough or soft, opaque or translucent, solid or meshlike, of various colors, or composed of multiple layers, depending on the type of insect larva producing it. Many moth caterpillars shed the larval hairs (setae) and incorporate them into the cocoon; if these are urticating hairs then the cocoon is also irritating to the touch. Some larvae attach small twigs, fecal pellets or pieces of vegetation to the outside
r cocoon in an attempt to disguise it from predators. Others spin their cocoon in a concealed location - on the underside of a leaf, in a crevice, down near the base of a tree trunk, suspended from a twig or concealed in the leaf litter.[3]
Insects that pupate in a cocoon must escape from it, and they do this either by the pupa cutting its way out, or by secreting fluids that soften the cocoon. Some cocoons are constructed with built-in lines of weakness along which they will tear easily from inside, or with exit holes that only allow a one-way passage out; such features facilitate the escape of the adult insect after it emerges from the pupal skin.
Silkworm cocoons are processed and used to produce natural silk for clothing
TIMES LITERARY SUPPLEMENT
January 17, 2008
Chrysalis
Muriel Spark: introduced by Mick Imlah
Chrysalis
We found it on a bunch of grapes and put it
In cotton wool, in a matchbox partly open,
In a room in London in wintertime, and in
A safe place, and then forgot it.
Early in the cold spring we said "See this!
Where on earth did the butterfly come from?"
It looked so unnatural whisking about the curtain:
Then we remembered the chrysalis.
There was the broken shell with what was once
The head askew; and what was once the worm
Was away out of the window, out of the warm,
Out of the scene of the small violence.
Not strange, that the pretty creature formalized
The virtue of its dark unconscious wait
For pincers of light to come and pick it out.
But it was a bad business, our being surprised.
Muriel Spark (1951)
DAILY MAIL
Thursday, April 6, 2006
Jonathan Cainer
GEMINI
May 22 -June 22
CATERPILLARS, when they form cocoons, do not succumb to any sudden doubts.They do not wonder why it is necessary to lock themselves away for a while. They do not consider that it might be unhealthy to retreat so far: Nor, when they finally emerge as blazing, beautiful butterflies, do they stop to-wonder whether life might have been better back in the-old days without wings. You are going through a profound transformation. Absolutely nothing is wrong with this."
MEDITATIONS FOR EVERY DAY
Father Andrew 1934
MONDAY IN EASTER WEEK
RISEN INDEED
'The Lord is risen indeed.'-S. LUKE xxiv. 34
Page 136
SAINT JOHN tells us in his Gospel that, when he and Peter went speeding down to the sepulchre of our Lord and entered in, he ' saw and believed.' What was it that brought conviction to John? He saw something in the way the grave-clothes were disposed which brought absolute conviction to him of our Lord's Resurrection. If he had just seen the graveclothes put on one side, surely he would have thought, as the women thought, that the body of our Lord had been taken from the tomb, but there was something about them which he says brought conviction to him.
The Jewish method of burial was to wind linen round and round the body, sprinkling myrrh and spices upon the linen as they did so. The myrrh was sticky and made the bands of linen adhere closely together, so that the body was like a mummy or the chrysalis of a caterpillar. What S. John saw, when he entered the tomb, was that the linen which had been wound round the body still kept its shape, but it was clear that the body was not inside it. The linen lay there like an empty shell or a chrysalis from which the moth has risen. The napkin which had been laid over the face of Jesus had fallen back and lay in its own place by itself. He saw that, and it brought conviction to him, and he went away with a wholly different frame of mind from that with which he came. As Bishop Westcott says so well in his commentary, the feeling of the apostles is better expressed by their words, , The Master lives,' than by the words, , He is risen.' They realized that our Lord had never been defeated by death.
MAN'S UNKNOWN JOURNEY
Staveley Bulford 1941
An introduction and contribution to the study of subjects essential to a new revelation - The Evolution of the Mind and Consciousness - in the journey of Mankind towards Perfection on and beyond the Earth
Page 190/191
"Words are inadequate to express the multitude of patterns of both Harmony and Discord portrayed by Thought, and the reader who may be unfamiliar with such a possibility as Thought power, must feel somewhat like a cocoon being told that some day he will be a butterfly himself and fly around from / flower to to flower that even at the present moment he, the cocoon, possesses all the essentials for that almost inconceivable manifestation."
THE DEATH OF FOREVER
A NEW FUTURE FOR HUMAN CONSCIOUSNESS
1991
Page 266
"We should create new rites of passage to celebrate the phases of the human life cycle, rituals for birth, for the transit into adolescence, and above all, for dying.
Of these, the need for a ritual of dying is the most urgent. I know of no greater testament to the failure of our civilisation than the fact that so many people die alone, abandoned like discards on society's junk heap. Dying must again be united with a sense of the sacred, for it is here, if anywhere, that the psyche outgrows its human limitation. The most important message of this book is that consciousness cannot be extinguished by death, for consciousness transcends time. We should learn to approach death with gratitude, seeing it for what it is, the final elimination of ego, the end of the fallacies of time and self.
In the end it can all be said so simply.
Time and self are outgrown husks which consciousness will one day discard, just as a butterfly abandons its chrysalis to fly towards the sun.
IN THE END IT CAN ALL BE SAID SO SIMPLY TIME AND SELF
ARE OUTGROWN HUSKS WHICH CONSCIOUSNESS WILL ONE DAY DISCARD
JUST AS A BUTTERFLY ABANDONS ITS CHRYSALIS TO FLY TOWARDS THE SUN
THE
DIVINE FEMININE DIVINE
DIVINE MASCULINE DIVINE
YOU BE WITH GOD BE WITH YOU
AND THEY ALL SAID AMEN TO THAT
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
O
BUTTERFLY THAT FLUTTERS BY FLUTTERS BY THAT BUTTERFLY
THE
HUMAN
CHRYSALIS HUMAN CHRYSALIS
GODS CHOSEN GODS CHOSEN GODS
THE LIGHT IS RISING RISING IS THE LIGHT
HURRAH FOR RAH FOR RAH HURRAH
THE VEIL OF LIFE IS RENT I ME I RENT IS THE VEIL OF LIFE
AND
THEY ALL SAID AMEN TO THAT
THE LIGHT IS RISING RISING IS THE LIGHT
HURRAH FOR RAH FOR RAH HURRAH
THE VEIL OF LIFE IS RENT I ME I RENT IS THE VEIL OF LIFE
AND
THEY ALL SAID AMEN TO THAT
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
9 |
CHRYSALIS |
114 |
42 |
6 |
16 |
Add to Reduce |
|
|
|
1+6 |
Reduce to Deduce |
2+0+7 |
6+3 |
- |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
9 |
CHRYSALIS |
114 |
42 |
6 |
16 |
Add to Reduce |
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|
|
1+6 |
Reduce to Deduce |
2+0+7 |
6+3 |
- |
|
Essence of Number |
|
|
|
- |
HUMAN EMBRYO |
- |
- |
- |
5 |
HUMAN |
57 |
21 |
3 |
6 |
EMBRYO |
78 |
33 |
6 |
11 |
HUMAN EMBRYO |
|
|
|
1+1 |
- |
1+8+9 |
5+4 |
1+8 |
2 |
HUMAN EMBRYO |
|
|
|
3 |
|
33 |
15 |
6 |
5 |
|
57 |
21 |
3 |
8 |
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
9+0 |
3+6 |
- |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
HUMAN |
57 |
21 |
3 |
4 |
RACE |
27 |
18 |
9 |
12 |
Add to Reduce |
|
|
|
1+2 |
Reduce to Deduce |
1+1+7 |
5+4 |
1+8 |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
HUMAN |
57 |
21 |
3 |
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|
First Total |
|
|
|
1+8 |
Add to Reduce |
8+1 |
3+6 |
1+8 |
|
Second Total |
|
|
|
- |
Reduce to Deduce |
8+1 |
3+6 |
1+8 |
|
Essence of Number |
|
|
|
THEN SINGS MY SOUL MY SAVIOUR GOD TO THEE HOW GREAT THOU ART HOW GREAT THOU ART
9 |
|
86 |
50 |
|
5 |
|
61 |
25 |
|
|
|
|
|
|
|
|
1+4+7 |
7+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
|
8 |
JOHANNES |
86 |
32 |
5 |
6 |
KEPLER |
67 |
31 |
4 |
14 |
|
|
|
|
|
|
1+5+3 |
6+3 |
- |
5 |
|
|
|
|
8 |
HARMONIC |
81 |
45 |
9 |
9 |
HARMONICS |
100 |
46 |
1 |
14 |
JOHANNES KEPLER |
153 |
63 |
9 |
14 |
ALBERT EINSTEIN |
153 |
63 |
9 |
2 |
RA |
19 |
10 |
1 |
4 |
STAR |
58 |
13 |
4 |
5 |
PULSE |
73 |
19 |
1 |
4 |
ZERO |
64 |
28 |
1 |
5 |
FIELD |
36 |
27 |
9 |
9 |
|
|
|
|
|
|
1+0+0 |
5+5 |
1+0 |
9 |
|
|
|
|
|
|
- |
1+0 |
- |
9 |
|
9 |
9 |
9 |
7 |
VIRTUAL |
103 |
31 |
4 |
8 |
PARTICLE |
84 |
39 |
3 |
15 |
|
|
|
|
|
|
1+8+7 |
7+0 |
- |
6 |
|
|
|
|
|
|
1+6 |
- |
- |
6 |
|
7 |
7 |
7 |
14 |
|
- |
- |
- |
|
R |
18 |
9 |
|
|
E+S+P+O+N+S |
88 |
25 |
|
|
I |
9 |
9 |
|
|
B |
2 |
2 |
|
|
I |
9 |
9 |
|
|
L |
12 |
3 |
|
|
I |
9 |
9 |
|
|
T+Y |
45 |
9 |
|
14 |
|
192 |
75 |
57 |
1+4 |
|
1+9+2 |
7+5 |
5+7 |
5 |
|
12 |
12 |
12 |
- |
|
1+2 |
1+2 |
1+2 |
5 |
|
3 |
3 |
3 |
2 |
RE |
23 |
14 |
5 |
11 |
RESPONSIBLE |
134 |
53 |
8 |
16 |
RESPONSIBILITIES |
200 |
83 |
2 |
14 |
RESPONSIBILITY |
192 |
75 |
3 |
8 |
RESPONDS |
110 |
38 |
2 |
7 |
RESPOND |
91 |
37 |
1 |
|
R |
E |
S |
P |
O |
N |
S |
I |
B |
I |
L |
I |
T |
Y |
|
|
|
|
|
|
|
- |
- |
|
|
18 |
5 |
19 |
16 |
15 |
14 |
19 |
9 |
2 |
9 |
12 |
9 |
20 |
25 |
|
|
|
|
= |
|
|
|
|
|
|
9 |
5 |
1 |
7 |
6 |
5 |
1 |
9 |
2 |
9 |
3 |
9 |
2 |
7 |
|
|
|
|
= |
|
|
|
|
|
|
R |
E |
S |
P |
O |
N |
S |
I |
B |
I |
L |
I |
T |
Y |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
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|
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|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
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|
|
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|
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|
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|
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|
occurs |
x |
|
= |
4 |
= |
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occurs |
x |
|
= |
3 |
= |
|
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|
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|
|
|
|
|
|
|
|
FOUR |
- |
|
- |
- |
- |
|
|
|
5 |
|
|
|
|
|
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|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
= |
|
|
|
|
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|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
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|
|
|
|
|
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|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EIGHT |
- |
|
- |
- |
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
36 |
= |
|
|
R |
E |
S |
P |
O |
N |
S |
I |
B |
I |
L |
I |
T |
Y |
|
|
33 |
|
|
|
|
|
|
|
1+4 |
9 |
- |
- |
- |
- |
- |
- |
9 |
- |
9 |
- |
9 |
- |
9 |
- |
- |
3+3 |
- |
- |
1+4 |
- |
7+5 |
- |
3+0 |
|
R |
E |
S |
P |
O |
N |
S |
I |
B |
I |
L |
I |
T |
Y |
|
|
6 |
|
|
|
|
|
|
|
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
1+2 |
- |
- |
|
R |
E |
S |
P |
O |
N |
S |
I |
B |
I |
L |
I |
T |
Y |
|
|
6 |
|
|
|
|
|
|
|
9 |
HOLY BIBLE |
90 |
45 |
9 |
9 |
HOLY KORAN |
119 |
47 |
2 |
18 |
- |
209 |
92 |
11 |
1+8 |
- |
2+0+9 |
9+2 |
1+1 |
9 |
- |
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
- |
|
|
2 |
2 |
2 |
- |
HOLY BIBLE |
- |
- |
- |
|
HOLY |
60 |
24 |
|
|
BIBLE |
30 |
21 |
|
9 |
HOLY BIBLE |
90 |
45 |
9 |
- |
- |
9+0 |
4+5 |
- |
9 |
HOLY BIBLE |
9 |
9 |
9 |
- |
HOLY KORAN |
- |
- |
- |
|
HOLY |
60 |
24 |
|
|
KORAN |
59 |
23 |
|
9 |
HOLY KORAN |
119 |
47 |
11 |
- |
- |
1+1+9 |
4+7 |
1+1 |
9 |
HOLY KORAN |
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
- |
9 |
HOLY KORAN |
2 |
2 |
2 |
|
KORAN+BIBLE |
- |
- |
- |
5 |
KORAN |
59 |
23 |
|
5 |
BIBLE |
30 |
21 |
|
10 |
|
89 |
44 |
8 |
1+0 |
|
8+9 |
4+4 |
- |
1 |
|
17 |
8 |
8 |
- |
|
1+7 |
- |
- |
1 |
|
8 |
8 |
8 |
BLESSED ARE THE PEACEMAKERS FOR THEY SHALL BE CALLED THE CHILDREN
OF
GOD
Jean-Jacques Rousseau
(1712-1788)
"Man is born free, and everywhere he is in chains. One man thinks himself the master of others, but remains more of a slave than they are."
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|
|
|
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|
|
2 |
|
28 |
10 |
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
10 |
|
49 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
34 |
25 |
|
|
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|
|
|
|
|
|
|
|
|
|
|
2 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
134 |
62 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
13 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
7 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+6 |
|
3+8 |
Add to Reduce |
4+1+0 |
2+0+3 |
4+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Add to Reduce |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
MESSIAH |
- |
- |
- |
- |
M+E |
18 |
9 |
|
- |
S+S |
38 |
20 |
|
- |
I |
9 |
9 |
|
- |
A+H |
9 |
9 |
|
7 |
MESSIAH |
74 |
47 |
29 |
- |
- |
7+4 |
4+7 |
2+9 |
7 |
MESSIAH |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
7 |
MESSIAH |
2 |
2 |
2 |
THE MESSIAH AT THE GATES OF ROME
Post by Black_Rose » 03 Sep 2020 20:30
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3 |
|
33 |
15 |
|
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|
7 |
|
74 |
29 |
|
|
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|
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1 |
|
2 |
|
21 |
3 |
|
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|
3 |
|
33 |
15 |
|
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|
5 |
|
52 |
25 |
|
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|
|
|
3 |
|
2 |
|
21 |
12 |
|
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|
4 |
|
51 |
24 |
|
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|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
|
2+6 |
Add to Reduce |
4+1+0 |
1+2+3 |
3+3 |
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|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+1 |
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
Essence of Number |
|
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|
|
|
|
|
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|
|
THE MESSIAH AT THE GATES OF ROME
"The Messiah at the Gates of Rome" is a traditional story, Mashal or parable in the Jewish tradition, from the Babylonian Talmud, Sanhedrin 98a.
THE PIPER AT THE GATES OF DAWN
The Wind in the Willows is a children's novel by Scottish novelist Kenneth Grahame.
"The Piper at the Gates of Dawn" tells how Mole and Rat search for Otter's missing son Portly, whom they find in the care of the god Pan.
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|
3 |
|
33 |
15 |
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
5 |
|
64 |
37 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
2 |
|
21 |
3 |
|
|
|
|
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|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
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|
5 |
|
52 |
25 |
|
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|
6 |
|
2 |
|
21 |
12 |
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|
4 |
|
42 |
15 |
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|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
2+4 |
Add to Reduce |
2+6+6 |
1+1+3 |
3+2 |
|
|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Add to Reduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
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Essence of Number |
|
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|
Homer is the presumed author of the Iliad and the Odyssey, two epic poems that are the central works of ancient Greek literature
9 Sep 2019 - The Greek poet Homer was born sometime between the 12th and 8th centuries BC, possibly somewhere on the coast of Asia Minor.
He is famous for the epic poems
The Iliad and The Odyssey, which have had an enormous effect on Western culture, but very little is known about their alleged author.
HOMER
H
ROME
5 |
HOMER |
- |
- |
- |
- |
H |
23 |
5 |
|
- |
ROME |
18 |
9 |
|
5 |
HOMER |
59 |
23 |
23 |
- |
- |
5+9 |
2+3 |
2+3 |
5 |
HOMER |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
5 |
HOMER |
5 |
5 |
5 |
ROME
H
HOMER
5 |
HOMER |
- |
- |
- |
- |
H+O |
23 |
5 |
|
- |
M+E |
18 |
9 |
|
- |
R |
18 |
9 |
|
5 |
HOMER |
59 |
23 |
23 |
- |
- |
5+9 |
2+3 |
2+3 |
5 |
HOMER |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
5 |
HOMER |
5 |
5 |
5 |
5 |
HOMER |
- |
- |
- |
- |
H |
8 |
8 |
|
- |
O |
15 |
6 |
|
- |
M |
13 |
4 |
|
- |
E |
5 |
5 |
|
- |
R |
18 |
9 |
|
5 |
HOMER |
59 |
23 |
23 |
- |
- |
5+9 |
2+3 |
2+3 |
5 |
HOMER |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
5 |
HOMER |
5 |
5 |
5 |
5 |
HOMER |
- |
- |
- |
- |
H+O+M |
36 |
18 |
|
- |
E |
18 |
9 |
|
- |
R |
18 |
9 |
|
5 |
HOMER |
59 |
23 |
23 |
- |
- |
5+9 |
2+3 |
2+3 |
5 |
HOMER |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
5 |
HOMER |
5 |
5 |
5 |
NUMEROLOGY
Geddes and Grosset 1999.
Introduction.
Page 5 /
"Nunerology is the name given to an ancient method of study-ing numbers that has been in use for thousands of years."
"…The most popular form of numerology in use today is based on the work of Py-thagoras, the famous Greek mathematician and philosopher who lived during the sixth century bc."
"…It was Pythagora's belief that numbers were the first of all things in nature. It was his belief that numbers were the basis of everything, in the natural, spiritual and scientific world. He believed that everything could be reduced to mathematical terms and that everything had a numerical value. Through studying the world in numerical form, he sought to achieve greater understanding of the world he lived in. Pythagoras, who believed that numbers created order and beauty, founded a school for students to follow his philosophy, and this was known as the Italic or Pythagorean School."
/ Page 6 /
"…Pythagoras formulated the concept called the Music of the Spheres', based on the idea that all the planets in the universe formed a harmonious whole consisting of a mu-sical chorus. He discovered that there was a relationship between sound and numbers, and developed this discov-ery to form his metaphysical concept. He suggested that every planet was a certain distance from a central point in the universe and that if an invisible string connected each planet to the central point, when plucked the string would emit a certain tone or vibration. Each sound or vibration could be associated with a particular number. He also be-lieved that the sound or vibration of the universe dictated by the planets would have a strong influ-ence on the character of an individual born at that particu-lar time.
Numerologists believe that the numbers one to nine have specific characteristics , and these characteristics are the basis for the methods of analysis described in this book. The numbers one to nine are the only numbers that are
/ Page 7 /
believed to be significant to numerology. All numbers greater than nine can be reduced to a single digit by the process of fadic addition, for example:
12 is reduced to 3 by adding 1 and 2;
49 is reduced to 4 by adding 4 and 9 which equals 13 and subsequently adding 1 and 3 to make 4."
Page 7
"All numbers greater than nine can be reduced to a single digit by the process of fadic addition, for example:
12 is reduced to 3 by adding 1 and 2;
49 is reduced to 4 by adding 4 and 9 which equals 13 and subsequently adding 1 and 3 to make 4."
CITY OF REVELATION
John Michell
1972
Page 160
All who study the cabalistic science and the geo-metry and numbers of creation are attacked by melancholy, some-times fatally, the suicide rate among cabalists being notoriously high. The Point is clearly made in Durer's Melancholia. The garden of paradise,symbol of the ultimate perfection of human consciousness, has many delightful inhabitants which are at the same time dange-rous beasts to whoever fails to recognise their nature and function; and of these the most treachorous is the mercurial old serpent of wisdom, that leads men on in the search of the treasure of which it is in itself the the venomous custodian.
Page 174 /
Thomas Mann, Joseph and his Brothers.
The Tales of Jacob of the Long Waiting.
"This man had said to that man: Give me thy daughter to wife, and the other man had answered: What wilt thou give for her? And the other man had had nothing. Then the above mentioned man had said: Seeing that thou canst pay no dowry nor any presents to hang at the bride's girdle at the betrothal, thou shalt serve me for as many years as the week hath days."
"Then said the other man: So be it. In the name of the king, so be it. Each side took one of the contracts."
"The agreement was sensible, the judge found it fair, and from the business side, Jacob himself had not much to complain of. If he owed his uncle a mina of silver at sixty shekels, seven years' labour would not suffice to pay the debt, for the average wage for a labourer was seven shekels a year, and seven of them would not make up the sum. He felt profoundly that the economic point of view was a very deceptive one; that if there were a just scale, a God's scale, as it were, the side with the seven years would have made the side with the shekels fly up into the air. But after all, he would spend these years in Rachel's company and thus love's sacrifice would be mingled with much joy."
/ Page 175 /
"Seven years! Seven years they must wait for each other."
"As for the seven years, they were even now in the process of being lived down."
"Jacob suppressed the thought in his mind. This he did and so too should the narrator, and not imagine that he can pass over and obliterate the time with a little sentence like "Seven years went by." It is the story-tellers way to say things like that."
"And even pass as though they had been seven days. For such is the tradition: that the seven years before which Jacob had at first quailed with fear, passed by like days."
"What we have here is certainly no "seven-sleeper" enchantment, nor, indeed, any other kind, save that of time itself, whose larger units pass as do the smaller ones, neither slow nor fast, but simply pass."
Page 176
"Jacob did not say that seven years went as fast as days"
"Thus it was Jacob said that seven years, to him, like days."
"Seven days may under some circumstances be harder to swallow, a more daring adventure in time than seven years."
"And if we look back, lo, the point where we stepped in is "far back" it is, for instance seven years away, years that have passed like days."
"No one says that Jacob undertook and entered upon his seven years with joy, for only after they had passed might he beget children with Rachel."
"And thus seven years to him, while not so little as seven years in the sight of God, were yet not nearly so much to him as to one who should live but fifty or sixty years."
Page 176 / 7
"Pure waiting is torture; no one could bear to sit seven years, or seven days."
Thomas Mann, Joseph and His Brothers.
The Time of Enfranchisement.
Page 980
"What would have become of us, for instance when Jacob was serving with the Devil Laban, seven and thirteen and five - in short, twenty-five years."
"And what would become of us now without that reasonable principle, when our little bark, driven by the measuredly moving stream of narration, hovers again on the brink of a time-cataract of seven and seven prophesied years? Well, to begin with, and just amongst ourselves: in these fourteen years things were neither quite so definitely good nor so definitely bad as the prophecy would have them."
"For the sake of the prophecy they are willing to agree that two and two make five - if the phrase may be used in a context where not five but an even higher odd number, namely seven, is in question. Probably this would constitute no great difficulty, five being almost as respectable a number as seven; and surely no reasonable man would insist that five instead of seven could constitute and inexactitude. In fact and in reality the prophesied seven looked rather more like five."
"Among the fat ones were one or two which might have been described as certainly not lean, but to a critical eye as certainly no more than very moderately fat. The lean ones were all lean enough, at least five of them, if not seven;"
And now for a momentary aside, said Zed-aliz to the scribe.
Penguin Modern Classics, Thomas Mann, The Magic Mountain.
The cover of this addition shows a detail from 'Dent du Midi' by Oskar Kokoschka.
Forward. Page XII and counting from the front cover to the back seventh page the following quote.
"Not all in a minute then, will the narrator be finished with the story of our Hans. The seven days of a week will not suffice, no, nor seven months either. Best not too soon make too plain how much mortal time must pass over his head while he sits spun round in his spell. Heaven forbid it should be seven years!
And said the scribe to Aliz-zed there are seven chapters contained in the ascent of The Magic Mountain.
An acknowledgement of the contributions of others within this hymn of praise to creative consciousness is freely and humbly given. It is perhaps indicative of where Eht Namuh stands on the ladder of its progress in this quintessential moment of time, that each and every one of us seeks a credit for the this of that which all of us as creative entities have been entrusted with exteriorizing for on behalf of that creative intelligent consciousness that holds each and every one of us in thrall, which is the initiator and motivating power of the mysterious process of life.
Eht Namuh within the this of the that of the he as in she of the thou, of the thou as in ought, of the ought as in thought, give only praise and credit to the true creator. The energy of intelligent living creativity abundant and fecund manifested everywhere and in everything, for all is living energy, living creative energy, known variously and collectively as the one God. Cast off the shackles of thy puny ego Eht Namuh and accord thanks only for thy honoured participation in creativity of a kind and thank your stars for that, for there is a mountain to climb or otherwise a mounting oblivion shall be your future. In the beginning was the word and the word was that notion, the notion of an individual unique self is no notion at all, therefore if any part of the this of the that of this work can in any way help to free the understanding of thee Eht Namuh from the dark age tyranny of thy thinking thoughts of the he as in she absurdity of the no notion at all of an individual self publish and be not damned, but be thou blessed. Give only thy praise in wonder to that living essence of the energy within and without which is thy true nature. Blessed be the name of thy true god which is at one with thee, for thou art of it and it of thee.
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HUMANKIND |
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HUMANKIND |
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HUMANKIND |
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HUMANKIND |
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HUMANITY
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9 |
HUMANITY |
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HUMANBEINGS
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3 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
4 |
|
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
1 |
|
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
5 |
|
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
2 |
|
1 |
|
2 |
2 |
2 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
5 |
|
1 |
|
E |
5 |
5 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
9 |
|
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
5 |
|
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
7 |
|
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
1 |
|
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
11 |
HUMANBEINGS |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5+0 |
- |
1+1 |
- |
1+1+3 |
5+9 |
5+0 |
|
|
|
|
|
1+5 |
|
|
|
|
- |
- |
|
- |
|
HUMANBEINGS |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
HUMANBEINGS |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
10 |
- |
11 |
HUMANBEINGS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
1 |
|
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
1 |
|
2 |
2 |
2 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
4 |
|
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
5 |
|
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
5 |
|
1 |
|
E |
5 |
5 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
5 |
|
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
7 |
|
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
9 |
|
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
6 |
|
|
|
- |
- |
|
- |
11 |
HUMANBEINGS |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5+0 |
- |
1+1 |
- |
1+1+3 |
5+9 |
5+0 |
|
|
|
|
|
1+5 |
|
|
|
|
- |
- |
|
- |
|
HUMANBEINGS |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
HUMANBEINGS |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
12 |
THE HUMAN RACE |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
R |
= |
9 |
- |
4 |
RACE |
27 |
18 |
9 |
- |
- |
19 |
- |
12 |
THE HUMAN RACE |
|
|
|
- |
- |
1+9 |
- |
1+2 |
- |
1+1+7 |
5+4 |
1+8 |
- |
- |
10 |
- |
3 |
THE HUMAN RACE |
|
|
|
- |
- |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
12 |
THE HUMAN RACE |
|
|
|
- |
- |
- |
- |
12 |
THE HUMAN RACE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
RACE |
27 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
|
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
4 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
5 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
7 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
5 |
|
57 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
10 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
11 |
1 |
|
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
18 |
|
5 |
|
27 |
18 |
18 |
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
12 |
THE HUMAN RACE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+5 |
|
|
1+6 |
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
RACE |
27 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+9 |
- |
1+2 |
- |
1+1+7 |
5+4 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
10 |
- |
3 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
12 |
THE HUMAN RACE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
RACE |
27 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
8 |
4 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
3 |
5 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
4 |
6 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
1 |
7 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
1 |
10 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
3 |
11 |
1 |
|
3 |
3 |
3 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
5 |
12 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
12 |
THE HUMAN RACE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+5 |
|
|
1+6 |
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
RACE |
27 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+9 |
- |
1+2 |
- |
1+1+7 |
5+4 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
10 |
- |
3 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
12 |
THE HUMAN RACE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
RACE |
27 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
7 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
1 |
10 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
3 |
5 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
3 |
11 |
1 |
|
3 |
3 |
3 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
4 |
6 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
5 |
12 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
8 |
4 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
6 |
7 |
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
6 |
7 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
12 |
THE HUMAN RACE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+5 |
|
|
1+6 |
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
RACE |
27 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+9 |
- |
1+2 |
- |
1+1+7 |
5+4 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
10 |
- |
3 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBERS RE-ARRANGED NUMERICALLY
- |
- |
- |
- |
12 |
THE HUMAN RACE |
- |
- |
- |
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
RACE |
27 |
18 |
9 |
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
7 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
= |
1 |
10 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
= |
3 |
5 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
= |
3 |
11 |
1 |
|
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
12 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
= |
8 |
4 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
- |
12 |
THE HUMAN RACE |
- |
- |
- |
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+5 |
1+6 |
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
RACE |
27 |
18 |
9 |
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+9 |
- |
1+2 |
- |
1+1+7 |
5+4 |
1+8 |
|
|
|
|
|
|
|
|
- |
- |
10 |
- |
3 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
- |
- |
1 |
- |
12 |
THE HUMAN RACE |
|
|
|
|
|
|
|
|
|
|
|
5 |
HUMAN |
57 |
21 |
3 |
9 |
BEHAVIOUR |
101 |
47 |
2 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+5+8 |
6+8 |
- |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
`- |
|
Essence of Number |
|
|
|
|
|
|
- |
14 |
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
5 |
|
57 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
1 |
|
2 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
9 |
|
101 |
47 |
47 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
14 |
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
6+8 |
- |
1+4 |
- |
1+5+8 |
6+8 |
- |
|
|
|
|
|
1+0 |
|
|
1+6 |
1+8 |
- |
- |
|
- |
5 |
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+4 |
`- |
|
- |
1+4 |
1+4 |
`- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
14 |
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
1 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
3 |
2 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
4 |
3 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
2 |
6 |
1 |
|
2 |
2 |
2 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
5 |
7 |
1 |
|
E |
5 |
5 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
8 |
8 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
1 |
9 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
4 |
10 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
9 |
11 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
3 |
13 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
9 |
14 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
7 |
|
|
- |
- |
|
- |
14 |
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
6+8 |
- |
1+4 |
- |
1+5+8 |
6+8 |
- |
|
|
|
|
|
1+0 |
|
|
1+6 |
1+8 |
- |
- |
|
- |
5 |
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+4 |
`- |
|
- |
1+4 |
1+4 |
`- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
14 |
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
1 |
|
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
2 |
|
1 |
|
2 |
2 |
2 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
4 |
|
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
4 |
|
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
5 |
|
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
5 |
|
1 |
|
E |
5 |
5 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
6 |
|
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
9 |
|
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
7 |
|
|
|
= |
9 |
|
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
7 |
|
|
- |
- |
|
- |
14 |
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
6+8 |
- |
1+4 |
- |
1+5+8 |
6+8 |
- |
|
|
|
|
|
1+0 |
|
|
1+6 |
1+8 |
- |
- |
|
- |
5 |
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+4 |
`- |
|
- |
1+4 |
1+4 |
`- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
HUMAN BEHAVIOUR |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
ANTHROPOMORPHIC |
189 |
90 |
9 |
15 |
ANTHROPOMORPHIC |
189 |
90 |
9 |
|
ANTHROPOMO |
135 |
54 |
9 |
|
R |
18 |
9 |
9 |
|
PHIC |
36 |
27 |
9 |
15 |
ANTHROPOMORPHIC |
189 |
90 |
27 |
1+5 |
|
1+8+9 |
9+0 |
2+7 |
6 |
|
18 |
9 |
9 |
|
|
1+8 |
|
|
9 |
ANTHROPOMORPHIC |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
H |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
5 |
- |
8 |
- |
6 |
- |
6 |
- |
6 |
- |
- |
8 |
9 |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
14 |
- |
8 |
- |
15 |
- |
15 |
- |
15 |
- |
- |
8 |
9 |
- |
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
H |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
1 |
- |
2 |
- |
9 |
- |
7 |
- |
4 |
- |
9 |
7 |
- |
- |
3 |
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
20 |
- |
18 |
- |
16 |
- |
13 |
- |
18 |
16 |
- |
- |
3 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
H |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
1 |
14 |
20 |
8 |
18 |
15 |
16 |
15 |
13 |
15 |
18 |
16 |
8 |
9 |
3 |
|
|
|
|
|
|
|
9 |
|
|
|
1 |
5 |
2 |
8 |
9 |
6 |
7 |
6 |
4 |
6 |
9 |
7 |
8 |
9 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
8 |
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
- |
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
- |
|
|
|
|
4+5 |
|
|
1+5 |
|
9+0 |
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
6 |
|
9 |
|
9 |
15 |
ANTHROPOMORPHIC |
189 |
90 |
27 |
1+5 |
|
1+8+9 |
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18 |
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18 |
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Anthropomorphic | Definition of Anthropomorphic by Merriam ...
www.merriam-webster.com › dictionary › anthropomor...1 : described or thought of as having a human form or human attributes anthropomorphic deities stories involving anthropomorphic animals. 2 : ascribing human characteristics to nonhuman things anthropomorphic supernaturalism anthropomorphic beliefs about nature.
anthropomorphic - Dictionary Definition : Vocabulary.com
www.vocabulary.com › dictionary › anthropomorphic
Like anthropomorphic, it derives from the Greek word anthroposi, which means "human being." One thing human beings like to do is anthropomorphize animals ...
Anthropomorphic dictionary definition | anthropomorphic defined
www.yourdictionary.com › anthropomorphic
(of inanimate objects, animals, or other non-human entities) Given attributes of human beings. Origin. anthropo- +? -morphic. English Wiktionary. Available under ...
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13 |
- |
16 |
THE PRIMORDIAL MAN |
176 |
86 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
12 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
15 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
13 |
1 |
|
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
7 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
10 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
14 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
16 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
8 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
4 |
1 |
|
16 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
5 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
6 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
11 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
|
THE PRIMORDIAL MAN |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
1+2 |
1+0 |
|
|
|
3+6 |
P |
= |
7 |
- |
10 |
PRIMORDIAL |
115 |
61 |
7 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
3 |
MAN |
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
16 |
THE PRIMORDIAL MAN |
176 |
86 |
14 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+6 |
|
1+7+6 |
8+6 |
1+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
7 |
|
14 |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
7 |
THE PRIMORDIAL MAN |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
primordial man meaning - SRD Technologies
srdtechnologies.co.in › forum › e3d783-primordial-ma...
The Primordial Man, also called Adam Kadmon symbolises the complete and original model for all humans
– a man of light. Theologie," 2 ed.
PRIMORDIAL HUMANITY BEFORE THE FALL - Orthodox ...
www.sourozh.org › orthodox-faith-texts › primordial-hu...
28 May 2009 - God brings the primordial man into existence to be a priest of the entire visible ... In this unceasing eucharistic offering lies the meaning and ...
Adam Kadmon - Wikipedia
en.wikipedia.org › wiki › Adam_Kadmon
The soul of Adam HaRishon ("the first man") was the supreme essence of mankind. It contained within it all subsequent souls. In the midrash, he is sometimes ...
?Four Worlds · ?Anthropomorphism in Kabbalah · Partzufim
Adam Kadmon , "Primordial Man"; also called Adam Elyon or Adam Ila'ah , "Supreme Man"; abbreviated as ?"?, A"K), in Kabbalah, is the first spiritual World that came into being after the contraction of God's infinite light. Adam Kadmon is not the same as the physical Adam Ha-Rishon.
In Lurianic Kabbalah, the description of Adam Kadmon is anthropomorphic. Nonetheless, Adam Kadmon is divine light without vessels, i.e., pure potential. In the human psyche, Adam Kadmon corresponds to the yechidah, the collective essence of the soul.
|
ADAM KADMON |
|
|
|
3 |
ADAM |
19 |
10 |
1 |
10 |
KADMON |
58 |
22 |
4 |
16 |
ADAM KADMON |
77 |
32 |
14 |
1+6 |
|
7+7 |
3+2 |
1+4 |
7 |
|
14 |
5 |
5 |
|
|
1+4 |
|
|
7 |
|
5 |
5 |
5 |
- |
- |
- |
- |
|
ADAM KADMON |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
ADAM |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
10 |
KADMON |
58 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
16 |
ADAM KADMON |
77 |
32 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
1 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
2 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
3 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
4 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
11 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
6 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
7 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
8 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
9 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
ADAM KADMON |
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
A |
= |
1 |
- |
4 |
ADAM |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
K |
= |
2 |
- |
6 |
KADMON |
58 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
10 |
ADAM KADMON |
77 |
32 |
14 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+0 |
|
7+7 |
3+2 |
1+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
MISSING NUMBERS 3 + 7 + 8 = 18 1+ 8 = 9
- |
- |
- |
- |
|
ADAM KADMON |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
ADAM |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
10 |
KADMON |
58 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
16 |
ADAM KADMON |
77 |
32 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
1 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
2 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
3 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
4 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
11 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
6 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
7 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
8 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
9 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
ADAM KADMON |
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
A |
= |
1 |
- |
4 |
ADAM |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
K |
= |
2 |
- |
6 |
KADMON |
58 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
10 |
ADAM KADMON |
77 |
32 |
14 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+0 |
|
7+7 |
3+2 |
1+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
ADAM KADMON |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
ADAM |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
10 |
KADMON |
58 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
16 |
ADAM KADMON |
77 |
32 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
1 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
6 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
3 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
5 |
1 |
|
11 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
2 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
4 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
7 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
8 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
9 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
ADAM KADMON |
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
A |
= |
1 |
- |
4 |
ADAM |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
K |
= |
2 |
- |
6 |
KADMON |
58 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
10 |
ADAM KADMON |
77 |
32 |
14 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+0 |
|
7+7 |
3+2 |
1+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
The soul of Adam HaRishon
- |
|
- |
- |
|
4 |
ADAM |
19 |
10 |
|
2 |
|
9 |
9 |
|
6 |
|
83 |
38 |
|
|
ADAM HA RISHON |
|
|
|
1+2 |
- |
1+1+1 |
5+7 |
1+2 |
|
ADAM HA RISHON |
|
|
|
- |
- |
|
1+2 |
- |
|
ADAM HA RISHON |
|
|
|
16 |
ADAM KADMON |
77 |
32 |
5 |
6 |
CHRIST |
77 |
32 |
5 |
SEE THE RISH THE RISH SEE
SAPTARSHI
A PAST RISH
A STARSHIP
Saptarshi - Seven Supreme Sages | Amar Chitra Katha
www.amarchitrakatha.com › Special Issues
Saptarshi means the seven supreme sages created by Brahma as the guardians of the divine laws. Read the story of these seven sages in our special issue ...
SOUL SO YOU LIVE
SO U LEARN
SO U LOVE
4 |
IBIS |
|
|
|
|
I |
9 |
9 |
|
|
B |
2 |
2 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
4 |
IBIS |
39 |
30 |
21 |
- |
- |
3+9 |
3+0 |
2+1 |
4 |
IBIS |
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
4 |
IBIS |
3 |
3 |
3 |
5 |
LUXOR |
|
|
|
|
L |
12 |
3 |
|
|
U+X |
45 |
9 |
|
|
O+R |
33 |
24 |
|
5 |
LUXOR |
90 |
36 |
18 |
- |
- |
9+0 |
3+6 |
1+8 |
5 |
LUXOR |
9 |
9 |
9 |
5 |
LUXOR |
|
|
|
|
L |
12 |
3 |
|
|
U+X |
45 |
9 |
|
|
O |
15 |
6 |
|
|
R |
18 |
9 |
|
5 |
LUXOR |
90 |
27 |
27 |
- |
- |
9+0 |
2+7 |
2+7 |
5 |
LUXOR |
9 |
9 |
9 |
- |
THE UNKNOWN GOD |
|
|
|
3 |
THE |
33 |
15 |
|
7 |
UNKNOWN |
112 |
31 |
|
3 |
GOD |
26 |
17 |
|
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
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THE UNKNOWN GOD |
|
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THE |
33 |
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UNKNOWN |
112 |
31 |
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4 |
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3 |
GOD |
26 |
17 |
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- |
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13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
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8 |
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4 |
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THE UNKNOWN GOD |
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2 |
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3 |
THE |
33 |
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7 |
UNKNOWN |
112 |
31 |
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3 |
GOD |
26 |
17 |
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- |
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12 |
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13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
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- |
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1+2 |
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1+3 |
|
1+7+1 |
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1+8 |
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- |
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3 |
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4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
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- |
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- |
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THE UNKNOWN GOD |
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2 |
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3 |
THE |
33 |
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UNKNOWN |
112 |
31 |
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M |
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3 |
GOD |
26 |
17 |
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- |
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13 |
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13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
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8 |
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5 |
5 |
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21 |
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14 |
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7 |
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7 |
7 |
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1 |
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9 |
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6 |
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6 |
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4 |
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9 |
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THE UNKNOWN GOD |
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T |
= |
2 |
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3 |
THE |
33 |
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2+5 |
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U |
= |
3 |
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7 |
UNKNOWN |
112 |
31 |
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7 |
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3 |
GOD |
26 |
17 |
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- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
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|
|
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- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
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- |
- |
- |
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THE UNKNOWN GOD |
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= |
2 |
- |
3 |
THE |
33 |
15 |
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P |
= |
7 |
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7 |
UNKNOWN |
112 |
31 |
|
|
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M |
= |
4 |
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3 |
GOD |
26 |
17 |
|
|
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|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
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1 |
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20 |
2 |
2 |
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1 |
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4 |
4 |
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9 |
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8 |
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9 |
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- |
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THE UNKNOWN GOD |
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T |
= |
2 |
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3 |
THE |
33 |
15 |
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2+5 |
1+2 |
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U |
= |
3 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
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G |
= |
7 |
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3 |
GOD |
26 |
17 |
|
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|
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- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
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|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
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P |
= |
7 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
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2 |
1 |
1 |
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20 |
2 |
2 |
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= |
2 |
6 |
1 |
|
11 |
2 |
2 |
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= |
3 |
4 |
1 |
|
21 |
3 |
3 |
|
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= |
4 |
13 |
1 |
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4 |
4 |
4 |
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5 |
3 |
1 |
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5 |
5 |
5 |
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= |
5 |
5 |
1 |
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14 |
5 |
5 |
|
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= |
5 |
7 |
1 |
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14 |
5 |
5 |
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= |
5 |
9 |
1 |
|
23 |
5 |
5 |
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= |
5 |
10 |
1 |
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14 |
5 |
5 |
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= |
6 |
12 |
1 |
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15 |
6 |
6 |
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= |
6 |
8 |
1 |
|
15 |
6 |
6 |
|
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= |
7 |
11 |
1 |
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7 |
7 |
7 |
|
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= |
8 |
2 |
1 |
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8 |
8 |
8 |
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- |
|
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- |
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|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
2+5 |
1+2 |
|
|
U |
= |
3 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER